Author Archives: apublicspacecraft

couldn’t upload audio here so have done on another blog… See this link, it also has the didactic description posted in the room on the day:

arte in corso

1. Rolling 2. Falling 3. Claiming/clinging/clutching

“Science was false by being unpoetical. It assumed to explain a reptile or a mollusk, and isolated it-which is hunting for life in graveyards. Reptile or mollusk or man or angel only exists in system, in relation.” Ralph Waldo Emerson

The executioner’s blade/the editor’s cut Film as thin coating of something (a skin) – a film of dust or dried up silt after the water is gone. The meaning of ‘film’ “to make a movie of” is from 1899 – what happened in Venice (a death? And execution?) that corresponds? no prizes for paintings were …

Continue reading “Venetian Blind – response to provocation – Rose”

The city requires sacrifice. — “She says it’s like a city in aspic . . . left over from a dinner party, and all the guests are dead and gone. It frightens her. Too many shadows.” Heather, the blind psychic

Blind psychic from Don’t Look Now, seen on bus home from Venice today

the haunting spectre of our own uncanny-ending-not endingwith waterbeing super-substanceconnecting us to other-historiesand other-others :characters, drifts, glances, foreshadowing. Foreshadowing – the father (church, dont look now protagonist), the executioner (state), the merchant (commerce/capital) pretells the story. That is architecture, curating our character. That is water, slowly defining the textures and timbres of the walls. That …

Continue reading “dariosponse”

Bring it here. As we go. As we discover.Fragments d’ici (of the moment).From there, from here, to there. Let us attend.